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海派花鸟画家既承宋元明以来的余绪，受西方写实主义画风的影响，丰富了花鸟画的风格，脱胎于南宗文人画的大写意画风终于借海派花鸟登上历史的巅峰；或酣畅淋漓，或清逸雅致，或格致高古，色彩斑斓。
Haipai bird-and-flower painters, inheriting the legacy of the Song, Yuan, and Ming dynasties and influenced by Western realism, enriched the style of bird-and-flower painting. The broad brush style of painting, originating from the literati paintings of the Southern School, finally reached the pinnacle of history through the Haipai bird-and-flower paintings; the works are either vibrant and unrestrained, or elegant and refined, or profound and classical, with a riot of colors.
近现代 沈林《岁朝清供图》
134.5cmx50.5cm
近现代 王云《珠藤栖鸽图》
143cmx38cm
近现代 汪亚尘 商笙伯《紫绶金章图》
100.6cmx32.3cm
近现代 汪琨《芭蕉绣球图》
119.3cmx48.5cm
近现代 张星阶 吴华德《蜀葵萱花图》
98cmx33cm
随着“碑学”“金石”书风的崛起并盛行，海上画坛也随之沉浸其中，文人画家终日“把玩金石”“摩挲起兴”，那种雄浑苍茫之美潜移默化融于画作之中；或写岁朝清供，或写梅兰竹菊，或写松柏荷石，借物遣怀。
With the rise and popularity of "stele study" and "seal script" calligraphy, the Shanghai art circle also immersed itself in this trend. Literati painters spent their days "playing with seals and stones," infusing their paintings with a rugged and vast beauty. They depicted offerings for the New Year, plum blossoms, orchids, bamboo, chrysanthemums, pine trees, lotuses, and rocks, expressing their feelings through these subjects.
近现代 姚虞琴《空谷幽兰图》
65cmx32cm
近现代 王震《岁寒三友图》
142.5cmx34cm
近现代 谢公展《鲜鲜霜菊图》
108.7cmx54cm
近现代 俞礼《松菊犹存图》
133.6cmx37.2cm
近现代 李健《双石奇松图》
89.5cmx40.3cm
海派山水画以东南地区山水为范本，大写意画风与绘画工具材料的改革，推动了山水画中湿笔重墨画法的复兴，追求构图奇崛、明暗对比，抒写胸中丘壑；或模山范水，或林泉高致，或平湖致爽，寄情于斯。
Haipai landscape painting takes the scenery of southeastern regions as its prototype, and with the revolutionary freehand brushwork style in harmony with the innovation in painting materials and tools, it has propelled a revival of the use of wet brush and heavy ink in landscape art. Artists of this style strive for an unusual composition and stark contrasts of light and shadow to convey the emotional landscapes within; whether they are imitating mountains and waters, achieving lofty ambience with forests and springs, or capturing the refreshing vista of tranquil lakes, they emotionally engage with these scenes.
清代 陶焘《林泉飞瀑图》
181cm×46cm
清代 顾沄《秋山萧寺图》
134.9cmx32.7cm
近现代 夏敬观《虎跑石屏图》
73.8cmx35.5cm
海派人物画早期主流是改琦、费丹旭，追随者甚众，风靡一时。后有四任、钱慧安、嘉兴潘氏等一时崛起，推动了人物画的发展，影响至今；典章故事尽现于笔下，或行乐吟咏，或闺怨幽思，或梅妻鹤子，以形写神。
Early mainstream Haipai figure paintings were dominated by artists like Gai Qi and Fei Danxu, with numerous followers and widespread popularity. Later, artists like “Si Ren”, Qian Huian, and the Pan family from Jiaxing rose to prominence, driving the development of figure painting, with an impact that continues to this day. They vividly portrayed historical stories and legends, expressing joy, singing, women's inner thoughts, or depicting a reclusive life and a serene, self-sufficient attitude of noble simplicity and tranquility, capturing the spirit through form.
清代 陆鹏《庭园行乐图》
134cmx67cm
清代 潘振镛《西施浣纱图》
82cmx29.7cm
近现代 钱慧安《商岭芝田图》
131cmx32.7cm
（文章来源：江西省美术馆）
江西省文物交流中心
江西省美术馆
展览地址：
江西省南昌市西湖区八一大道266号
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9:00——17:00周二至周日
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